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                IT’S a sudden un-seasonal storm, accompanied by 
                crashing rain. And Deepti Naval is absorbed in it. She sits gazing 
                out by the open windows, oblivious to the streaming jets of water 
                splashing on to her polished wooden floor. Enjoying the experience 
                as if there is no tomorrow.
 “That is how I live today,” she smiles serenely. “As 
                if there’s no tomorrow. I know that the wet wooden planks 
                will catch up with me later. So I’ll fix them too. But right 
                now I don’t care. Now I just want to be.”
 
 So here’s an actress who seems to have found an answer to 
                English literature’s eternal question. She has decided ‘to 
                be’ – once and for all. Of course, there was a time 
                when ‘doing’ was more important to her. More projects, 
                better roles… Until one day, when she left it all and went 
                back home to New York. “I needed to touch base,” she 
                explains. “To go back to be with my family and the environment 
                in which I grew up. I cannot live in Bombay for very long stretches.”
 
 And yet fate has a way of catching up. For it was while in New 
                York that producer Ajay Bawa tracked her down with a plum role 
                in his forthcoming serial, Tadap. A serial that tells the story 
                of non-resident Indians in the US. To be shot completely in New 
                York.
 
 It was a role that Deepti identified with instantly. “I 
                have to almost play myself,” she says. “A single, 
                independent woman who needs a lot of space for herself and who 
                lives life on her own terms. People get judgmental about her friends, 
                her lifestyle and a lot of other things, but that doesn’t 
                bother her… This is a thinking that I’ve always lived 
                with. Now I just have to act it out.”
 The only aspect of the role that she is not used to are the crisp 
                kanjeevaram saris that she is expected to wear, by way of asserting 
                her individuality in New York! “They also wanted long black 
                hair and were disappointed that I’ve cut off mine!” 
                she laughs, adding, “Though I prefer my new cut. It’s 
                much less time consuming.”
 
 
 Deepti has had her tryst with TV too. When she wrote and directed 
                the serial Thodasa Aasman, based on the lives of three women. 
                So what happened to it? “It got short-circuited,” 
                she grins.
 
 Right now, she is only enjoying herself acting in Tadap, show 
                with its young enthusiastic crew on her own turf in Manhattan 
                and just being with her family. As if there is no tomorrow.
 PIALI BANDERJEE
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